The Subtle Side of Autumn

 The Subtle Side of Autumn . . .

This most recent bead embroidered cuff bracelet that I made is a commissioned piece for a lovely lady who wears and enjoys the beautifully subtle colors of autumn: bronze, olive, burnt orange, taupe, and brown.  It was a joy making this bracelet because I also love these colors.  The stones I used in this bracelet include Jasper, faux pearl, and Japanese glass Toho beads.

Because I believe that Nicole Campanella's Beadwright Beadbacking is the ONLY backing worth working on for hours on end, I chose her Hawk color, which was the perfect background for these autumnal colors.  It makes the experience of bead embroidery that much more enjoyable when your bead backing material is not only a color that compliments your design, but is 100% perfect for stitching beads of various sizes, and sewing through each of the beads as many as four different times.  If you are a bead embroiderer and haven't tried Nicole's Beadbacking, please do yourself an immense favor and you'll never look back!  Trust me on this!  (See my previous posts for information on Nicole Campanella's Beadbacking and Web site.)

This cuff has an inner brass bracelet inside for stability, and an UltraSuede lining on the inside for comfort.  The advantage of the brass bracelet inside is that the wearer can pull it to stretch the cuff larger, or squeeze it to make the cuff smaller - depending on her wrist size.

 

*Click on photos to see enlarged sizes.  

 

The top photo is the bead embroidered cuff bracelet before it is attached to the inner brass form.  The bottom photo shows the finished bracelet with beaded picot edging.

 

* STARLIGHT *

"Starlight" is the name I've given to this latest bead embroidered cuff bracelet that I've created.

The three asymmetrical gemstones in the middle are Aqua Terra Jasper ~ a beautiful stone with gorgeous colorations of aqua swirled with a honey-colored topaz and a warm brown.  These three stones have been bezeled with Toho Japanese glass seed beads, then surrounded with other Aqua Terra Jasper beads in several different sizes and shapes.  Toward the edges are more Toho Japanese seed beads, aqua "sea glass" round beads, Czech crystals, bicone crystals, and decorative varigated glass oval beads.

Below is a closer look at the central gemstones.

Click on any photo for a larger image

Sky Blue NBB foundation by Nicole Campanella is the base for all of my bead embroidery.

For the best beading foundation to be found on the market today, 

please check out:

www.Beadwright.com 

Below are three photos showing the finished bead embroidered cuff bracelet.

A delicate picot edge surrounds the whole bracelet.

Inside the cuff, I've used a light blue UltraSuede lining. 

The lovely organic swirls in Aqua Terra Jasper led to the

choice of light aqua blue, brown, and honey-colored beads.  

"Cleopatra's Prize"

Inpiration:  "The Colors of Egyptian Art"

Leafing through a catalogue recently, I came across an example of Egyptian art.  I cut this part out because I love the combination of colors and wanted to use them in a bead embroidered cuff bracelet project.

I've covered up a part of the writing in the lower left corner to make it less distracting - but the colors are black, terra cotta, turquoise/verdigris and a subtle, light gold color.

The above photo shows the beaded bracelet on the foundation before it was attached to the inner brass cuff.

It's always easier to see the whole design flat like this, instead of wrapped around the circular cuff.   

click on any image to enlarge

The turquoise that I chose for my bracelet is a much stronger color with a deeper intensity than what is shown in the example of Egyptian art above.  I was happy with the colors I chose, and the ones in the example were merely a jumping-off point.  Perhaps at a later date I'll use the same inspiration but choose a true light verdigris and incorporate the light gold, as well.

For now, I liked the stronger palette - and I always go with my first instincts.

The turquoise stones in this bracelet are dyed Jasper. These small disks were arranged flat with a size 15 terra cotta glass seed bead as a "stop" bead to hold them down.  They showed more of the Jasper placed this way, instead of lined up flat, side to flat side.

 I've decided there just isn't a "look" that Jasper can't fill in for - it's been my go-to gemstone for most of my projects.  The central oval cabochon is also Jasper, and this one has a rich terra cotta color that works so well with the turquoise.

The round stones with an orange glow are Carnelian.  This stone marries well with turquoise, as it is a very close complementary color (green-turquoise + red-orange).  In addition, I added in some faceted crystals with a turquoise and gold, and a number of turquoise-colored glass pearls in two sizes.  The rest are seed beads - all glass beads, in sizes ranging from 8 to 15.  The blacks are both the shiny opaque black (Czech size 12) and the matte black (Japanese size 8) for added interest.  Tiny light turquoise seed beads are intersperced in any areas where the round stones left a bit of a gap.

The edges of the cuff are finished off with a picot edging,
and the underside is a very soft teal-colored UltraSuede. 

As usual, my work is hand-sewn and embroidered on Nicole Campanella's NBB, the foundation that is perfect for this work.  There is a brass bracelet blank inside sandwiched between the top beaded part and the underside UltraSuede, which is in a rich teal color.

For more information on my preferred bead embroidery foundation called NBB, please click here:
http://beadwright.com/

Contact me if you are interested in sources for brass bracelet blanks or UltraSuede.

"The Golden Bee"

~ Bead Embroidered Pendant with Necklace ~

"The Golden Bee" was created to showcase a beautiful rectangular pendant gemstone of pink dyed Jasper and an assortment of similar Jasper organic-shaped stones drilled for stringing into a necklace.

The Jasper stone was attached to a white foundation by Nicole Campanella called NBB.  This was before I knew she carried a hot pink NBB in the Tropical Berry color that might have been just perfect.  But with the white foundation, I merely used some liquid fabric dye to get the white NBB the color pink that I wanted.  Now I have the Tropical Berry color in my stash, ready for the next hot pink project.

Above is a closer view of the pendant.  I've included smaller pink-dyed Jasper stones in two different variations, plus a pink-dyed pearl, marbled glass beads, a hot pink cut crystal, bugle beads, Japanese  glass seed beads in a chocolate brown, gold, hot pink, pearl, topaz, and luster. 

The triangular gold piece in the 4 o'clock position is a gold button from my grandmother's collection - it truly resembles a gold nugget. Buttons from the `30's and `40's were so well made and very unique. 

Dangling at the bottom of the pendant I have added hot pink crystal bicones, bubblegum pink cracked glass round beads, and cut crystal AB drops in hot pink.  The little gold bee charm, after which the necklace is named, hangs from the bottom as well - it is anatomically correct on both the front and back.

The necklace part consists of strung pink-dyed and drilled Jasper stones with one glass seed bead in hot pink between each stone so they will drape well.  A gold chain with an AB pink crystal finishes off the necklace so that it can be worn at various lengths.

I seem to be drawn to Jasper ~ the different colors and looks always intrigue me. 

click on any photo to enlarge image





"Queen's Ransom"

"Queen's Ransom"

Bead Embroidered Pendant and Necklace

click on photo to enlarge

Lately I've seen some really spectacular pieces called DRUZY or druse.  

In geological usage, druse or druzy is a coating of fine crystals on a rock fracture surface, or within a geode.

Most of the ones I've seen are set with a silver-toned bezel ~ and when I saw this one in my favorite turquoise-green shade set in a gold-color bezel ... I wasted no time in acquiring it.  I just knew it would make a very special focal point in a bead embroidered pendant.

Detail below:

To set apart the druzy, I have surrounded it with gold faceted rondelles in a dark gold color.  

The row next to it is made up of turquoise colored glass faceted rondelles with a slight dappling of brownish-gold ~ almost unseen, but adding to the overall look that I wanted to achieve.

This Druzy bezel had two gold "attachments" on either side - probably to make it into a necklace or bracelet very easily.  

I covered and hid both attachments with an additional turquoise rondelle with three size 11 gold seed beads on top.

The bead embroidery is done on Leaf Green NBB by Nicole Campanella.  As always, her beading foundation made the project a total joy.  For more information on this fabulous foundation, please check out:

www.Beadwright.com

Several rows of size 11 seed beads encircled the bezel, and the final picot edge features tiny size 15 light turquoise glass beads that are transparent with a gold interior finish.  

The bale is made from a number of gold size 11 seed beads in the "square stitch" pattern, and also has picot edges with the size 15 transparent glass beads in the light turquoise color with gold inside. 

Jazzing up the necklace, I've made three pairs of peyote-stitched toggle bars with an assortment of the beads already featured in the pendant.  These are interspersed with gold spacer beads, finished off with a decorative gold floral cap, and finally adding a gold toggle and ring closure.

While many think of turquoise as best paired with silver, I think the combination of 

Turquoise and Gold is fit for a Queen's Ransom.

"Celebration" ~ Bead Embroidered Cuff Bracelet

"Celebration"

Many times my bead embroidery projects begin with a color choice.  Other times it's a special gemstone cabochon that I want to feature, and then I pick colors to enhance that particular piece.

With "Celebration" I turned to two printed artworks that I have saved for a few years because I loved the color combinations in both paintings.  One painting is by Thomas Cooper Gotch and it is called "The Child Enthroned." This artwork features a young girl wearing an elaborate robe and sitting on a throne with a halo behind her head. (Seen below on the bottom of the photo on the diagonal.)  The other painting is of a mother holding her sleeping infant.  This was a Christmas card, and unfortunately, I do not know the name of the artist or the title of the painting itself. [If you know, please tell me, as I'd love to know the name of the artist or the title of the painting!]

What these two paintings have in common is their similar "colorway."  Both paintings utilize the complementary colors of green and red - and in these two cases, the green leans towards turquoise, and the red leans toward orange.  The addition of a golden yellow and a creamy oyster color add to the harmony.

click on any photo to enlarge

Turquoise-green and red-orange (coral) are my two most favorite colors, so it's no surprise when I choose them for my bead embroidery.  As complementary colors, they sing in the presence of each other.  

The above photo shows the bead embroidered cuff bracelet flat on the beading foundation before it is attached to the brass cuff bracelet.  

Above photo and below photo show the finished cuff bracelet.

The central focal piece is a Jasper gemstone.  It is bezeled with turquoise colored cut crystals, topaz-gold colored cut Czech crystals, and 8 mm golden fossil beads. 

In addition, there are red glass faceted beads in a few sizes, Japanese glass Toho beads, four oval green glass cabochons, ivory luster fossil beads, two vintage green buttons, and four red-dyed Mother of Pearl buttons.

The inside of the cuff is green UltraSuede, and the outer edges of the cuff bracelet are finished off with a decorative picot edge.  

As in my other bead embroidery jewelry pieces, the backing I favor is by Nicole Campanella, and is called NBB.  Here, I used the Green Leaf color.  

For 13 additional colors of NBB, please check out her Web site at 

www.Beadwright.com

"A Moment In Time"

Pompeii, the Roman town buried under the fiery ashes from a volcano eruption of Mount Vesuvius in 79 AD is a story that will forever shock and fascinate us.  The terrified residents ran for their lives, but couldn't out-race the sudden and fatal combination of heat, smoke, ash, and burning debris raining down on them.  A few grabbed their most precious jewelry at the last moment.  It would be years later before some of these ancient pieces were unearthed and miraculously preserved.  The amazing fact is that due to certain atmospheric conditions occuring that day, much of Pompeii was captured for us to later recreate and see for ourselves . .   "A Moment In Time."

In my books on Pompeii, the colors from the ruins are my personal favorites : gold, amber, turquoise, red-orange, and copper.  These colors decorated the walls and homes of many citizens of Pompeii, mostly in painted frescoes or in colorful tiles.

Above: Photo from Pompeii wall that survived the volcano's eruption.

Click on any photo for a larger view

"A Moment In Time" is an off-loom beaded bracelet that I made using copper-colored glass Luster cube beads for the majority of the bracelet. These are sewn together using only thread - it is the peyote or gourd stitch that holds them together.  These beads have a very slight pink-orange tone to them and are highly reflective.  Working with them under any source of light was a bit of a challenge - as they almost blinded me, they were so shiny.  It was my first time to work with cube beads, as I generally use round beads. The cube beads lock together in a very satisfying way. 

The central focal part of the bracelet consists of a rectangular Red Creek Jasper pendant, a turquoise Magnesite oval cabochon, and a red-orange Carnelian faceted cabochon.  These three stones were embroidered by hand onto Nicole's BeadBacking in the Hawk Wing color.  After sewing down these cabs and bezeling them with cut-crystal bicones and tiny seed beads, I added amber-colored matte size 15 Delica seed beads around each stone to highlight them.

Although it's difficult to see clearly, I've attached a tiny copper bumble bee that was a gift from my daughter-in-law in the lower right corner of the Jasper gemstone - it is attached with a loop of seed beads so that it can move, as it is anatomically correct both on the front and back of the bee.

The very edge of the bracelet is finished off in a picot edge that features turquoise Hematite cube beads given to me by my dear friend, Linda.  The central picot beads are a Luster magatama or tear- drop bead.  Underneath the middle part of the bracelet, I have sewn a soft, burnt sienna-colored square of UltraSuede.

Although you cannot see it in the photo, the Luster beads that make up the majority of the bracelet are very flexible and drape almost the way fabric does - the movement of this bracelet is fluid as it encircles the wrist.  The closure is comprised of three decorated beaded toggles with three loops on the opposite side which blend in with the rest of the bracelet.

"Stepping Stones" ~ Necklace Featuring Red Creek Jasper

The gemstone Jasper is playing a starring role again in my beaded creations.  This particular Jasper stone is called Red Creek Jasper, and the colorations of the stones range from a light creamy yellow, to a soft orange, on to a deep red, a gray-green, an olive green, and finally a brown.  Often the stones have most of these colors embedded in them in swirly patterns. 

click on photo for larger image

This necklace incorporates large Red Creek Jasper free-form beads (the long, narrow shapes), as well as a triangular piece in the middle, and several oval-shaped beads besides the round 4 mm, 6 mm, and 8 mm beads.  I've added Yellow Jasper in places to play off the yellow coloration.  In addition, there are a few Agates, and lots of Japanese Toho glass seed beads in olive green, dark taupe, and a creamy yellow - these are in sizes 6, 8, 11, and 15. 

The entire piece was hand sewn and embroidered bead by bead on Nicole Campanella's NBB foundation in the color Hawk Wing.  The backing is a soft tan-colored UltraSuede.  Around the edges of the piece I have added very delicate picot edging with tiny size 15 beads. 

The toggle bar and loop closure is made with seed beads, and I got a little ambitious and made a beaded bead as well.  I'm still working on improving that technique . . .

Here is a closer look at the various colorations in Red Creek Jasper beads. 

"Forest Floor" featuring a yellow-green Jasper focal cabochon on a bead embroidered cuff bracelet.

"Forest Floor" 

click on any photo for a larger image

My attraction for the stone Jasper continues ~ my hand automatically reaches for them whenever I visit my local bead store.  Jasper comes in so many different colors, and combinations of colors, I can't imagine every tiring of it.  This particular Jasper stone with it's bright yellow-greens, dark emerald green "spider webbings", and gray-green organic patches won me over, and I knew I had to make a bracelet with these colors.  It reminded me of the colors one might find on a forest floor.  While I don't have access to an actual forest, I do walk in the woods quite often . . . 

Around the time that I was working on this bracelet, I walked outside on a cold, winter afternoon and noticed on the ground bright green patches of new grass peeking up and growing alongside gray-green pieces of lichen.  It made me think of spring trying to push winter aside.  I was struck by the beauty of the two greens together, and wanted to incorporate them in this piece.

As I have done in the past, the first photo of the bracelet (above) shows the bead embroidered foundation flat for photographing ~ once it's placed on the brass blank cuff to become a bracelet, it's harder to see the entire design together.  

Besides the oval focal Jasper cabochon in the middle, I have added smaller Jasper beads in various greens and gray-greens, glass pearls in both green and gray, cut crystals in several colors including a very bright yellow-green, and Japanese seed beads in a number of colors, sizes, and finishes. Some of the smaller Jasper beads are called "Landscape Jasper."  Also included is a small, round, gray-green Agate that is faceted on the top of the stone. 

This bead embroidered cuff bracelet is sewn onto Nicole's BeadBacking in the Chartreuse Shine color ~ a yummy yellow-green color that allows the transparent and translucent beads as well as the cut crystals to show their best.

Above is the finished bead embroidered cuff bracelet.

Around the entire bracelet edge I have sewn a double row of picot edging using Japanese glass drops called Magatamas.  This is the first time I've tried a double row edging, and I really like the way it turned out.

Inside the bracelet is a soft, olive green UltraSuede lining.

~ ~ ~ ~ ~ 

"Promise Of Spring"

Because I love this bright, apple-green Jasper stone so much, I made a second bead embroidered cuff bracelet with it as a focal center stone when I discovered another one at my local bead shop, "Beads and More."  I just couldn't resist! (The first one I made to give as a gift.)

The Jasper stone is actually a bead meant to be worn as a pendant - there is a hole on each end lengthwise.  Both sides were equally beautiful - it was difficult to decide which one to show.  

I am calling this bracelet "Promise Of Spring" because I incorporated bright, yellow-green glass beads, as I was out of the "lichen-colored" gray-green stones.  In addition to the Jasper stone beads, I have also included faceted green Jade beads and faceted multi-toned Agate beads.  With spring always on my mind, and in anticipation of it after a long, cold winter, I think of this beautiful yellow-green color as a *harbinger of spring.*  

This image (above) shows the bead embroidered piece on the foundation after it has been cut away from the Nicole's NBB in the Chartreuse Shine color.  These bracelets photograph better flat, as the whole design can be seen at once.  After the beaded foundation is wrapped around a brass blank cuff, [which is sandwiched between the beading and the UltraSuede backing], it's more difficult to see the design - as only parts of it can be photographed at one time.

Here is the finished cuff (below) :

I have embellished the outer edges of the cuff with Japanese TOHO #11 glass seed beads, 

and added a picot edging with green crystal bi-cones. 

The next photo shows the ends of the cuff in an angle that features 

the inner UltraSuede material in a peacock pattern.

For information on the fantastic bead embroidery foundation that I use and highly recommend, please visit:

http://www.Beadwright.com

and discover Nicole's BeadBacking, which comes in 14 colors.  Treat yourself to the best!

"Journey's End"

My latest bead embroidered cuff bracelet, "Journey's End," is a pairing of the gemstone Tiger's Eye with Amazonite in a turquoise-green color.  I think the two colors are charming together, exhibiting a very attractive warmth.  As it is still very cold this winter, I am drawn to these warm colors.

This is my first time to use gemstone chips in my bracelets.  This overall design is somewhat symmetrical, and the chips add a random look that is unexpected while offering relief from too much pattern.

Above is the bead embroidered top before it is attached to the inner brass cuff and finished off with edging and an inside addition of UltraSuede.

Along with the Tiger's Eye cabochons and beads, and four large Amazonite beads, I have added round gold-colored cut crystals, gold-colored crystal bicones, natural pearls dyed green, and a variety of glass beads for interest.  The beads surrounding the focal Tiger's Eye cabochon are glass Hybrid Picasso beads, which mimic the look of a green shade of turquoise. I have sewn and embroidered the beads one or two at a time onto Nicole's BeadBacking (NBB) in the Leaf Green color.  Each bead is then sewn through again for security and to align the rows of beads.  All beads that protrude from the tops of other beads are sewn three or four times for added strength.

The inside of the cuff is lined with soft green UltraSuede. 

The edges of the bracelet have a 'picot edge' with more 

turquoise-green seed beads, plus several topaz-gold seed beads.

"Journey's End"

Photo below - click on any photos for larger image.

For information on my favorite bead backing, and to order NBB, 

please check out Nicole Campanella's Web site:

 http://www.beadwright.com/ 

"Journey's End" is in a private collection.

"Blue Harmony" ~ Bead Embroidered Cuff Bracelet

"Blue Harmony"

*click on photos for larger image

The above photo shows the beaded bracelet after all the top embroidery is completed, but before it is attached to the inner brass cuff blank.  It's easier to see the bracelet design when it is photographed flat like this first. Once the top beaded foundation is attached to the cuff, the rounded form is more difficult to photograph well, or to see in its entirety. 

Many of my bead embroidered bracelets start with an interesting gemstone cabochon - this one, "Blue Harmony," is no different.  The central jasper gemstone cabochon is a beautiful swirl of blue and earth-toned colors.  I chose to feature the blue and the brown colors, choosing to use a sapphire blue that is neither warm nor cool - a true blue - and a soft brown to play up the blue.  I did not want this blue bracelet to veer to the cool side (aqua blue), or the warm side (violet blue). 

Two swirly glass cabochons flank the focal gemstone and carry out the blue/brown colorway.  Light blue, half-domed pearls encircle the jasper stone in the middle and add a subtle elegance.  In addition to these, I've added glass seed beads, Czech crystals, AB glass cut crystals, earth-toned matte Picasso beads, and four light blue, Lucite, "hibiscus-shaped" flowers. Springing from the middle of the Lucite flowers are blue beaded stamens.  Lucite is a type of acrylic glass - these flowers have a charming frosted look to them.

The inside of the cuff bracelet is finished off with an UltraSuede fabric in a floral and lace pattern in soft blues and creams. 

Below are three photos of the finished bracelet.







 "Blue Harmony" showing side view.

"Blue Harmony" showing bottom of cuff, and inner designed UltraSuede, as well as the picot edging around the bracelet that finishes off the design in a delicate manner.

Top view of "Blue Harmony" bead embroidered cuff bracelet.



"Canyon Creek" Bead Embroidered Cuff Bracelet

*Canyon Creek*

This latest bead embroidered cuff bracelet is called "Canyon Creek."  The Aqua Terra Jasper stones are currently my favorite gemstones ~ they have that water + land appearance, with swirling earth tones in blues, creams, tans, and rusts. 

Click any photo to enlage image.

Above I've shown the beaded top finished on the "Hawk Wing" color of Nicole's BeadBacking foundation.  I think it's easier to see the entire bracelet design when it's flat like this, since the curavture of the cuff bracelet allows you to see only small sections at a time.

In the photo above, I have cut away the backing foundation, and the beaded top part is ready to be glued to the brass blank cuff.  The central focal jasper stone is rectangular, but the two jasper stones on each side are not exactly the same - this lent a slightly free-form design to the bracelet.  It's always enjoyable to pull out the colors from the stones and let them flow where they will.

After I finished the cuff, I decided the central focal jasper cabochon might benefit from a circle of Aqua Terra jasper beads. 

This below photo shows the side view.  Besides the smaller Aqua Terra jasper beads, I placed six larger beads in the same coloration flat on the bracelet with a "stop bead" to hold them down.  I also had four glass flower beads that carried the same color theme.  The rust-colored beads are also glass, but with a matte finish.  Included are aqua crystals, and AB glass beads in several sizes and shapes.

 Inside is a soft, brown UltraSuede.  The edging on this cuff follows the bead choice on the bracelet itself - which is a different look for me, but one I am pleased with.  I even included some metallic cube beads for added interest.  







 

"Deep Sea Diving" ~ Sea Sediment Jasper with Aqua and Bronze Bead Embroidered Bracelet

"Deep Sea Diving"  

Free-form Bead Embroidered Bracelet

Click photo for larger image.

Pictured above is a bead embroidered bracelet with five focal sea sediment jasper gemstones surrounded by various aqua and earth-colored stones.  The piece also includes aventurine stones, glass beads, pearls, crystals, and sea glass along with a few brass metallic beads.  The closure beads are faux ammonites which hold the bracelet closed through tortoiseshell-colored beaded loops. 

Because of the organic size of the jasper stones, the bracelet itself is purposely asymmetrical.  The colorations of aquas (sea) and earthtones (sand) give a coastal feeling to this bracelet.  On the underside of the bracelet (not shown) is a soft aqua shade of UltraSuede with a faint "tooled leather" design.  The sewn edges are covered with hand-dyed silk ribbon in a matching aqua color.

*This bead embroidered bracelet was entirely made using only my left (non-dominant) hand due to a right hand accident involving broken glass. 

"Santa Fe Secrets" ~ Turquoise and Carnelian Bead-Embroidered Cuff Bracelet.

"Santa Fe Secrets"

Turquoise and Carnelian Bead-Embroidered Cuff Bracelet.

Above:  Photo 1 on the left, and Photo 2 on the right.

*Click photos once or twice for larger image.

Photo 3

In Photo 1 at the very top, where the bracelet appears "flat," is the almost-finished bracelet after the majority of the beading was done.  This step shown here is right before the beaded top is glued to the brass bracelet form (which is then encased so it doesn't show).  Photo 2 above shows the completed bracelet. Inside the cuff and against the brass is UltraSuede fabric - and the brass form is actually "sandwiched" between the beaded embroidered top and the UltraSuede fabric on the inside.  This keeps the bracelet from collapsing, and gives it a bit of added heft. It also makes a clasp or attachment unnecessary.

Then Photo 3 shows the bracelet finished as a cuff.  Because it fits around the wrist, it's much harder to see all the beaded embroidery handwork.  As soon as I finished this one, I was eager to start another.  That's the way it is with almost all of my projects.