Showing posts with label Gemstones. Show all posts
Showing posts with label Gemstones. Show all posts

Sunday, August 20, 2017

"Fit for a Duchess"

"Fit for a Duchess" 

... is the the name I've given to my latest bead embroidered cuff bracelet.

The base is a gorgeous Shibori Silk Ribbon hand-dyed by Deborah Weaver, showcasing a glorious array of colors that range from soft aqua to greenish-turquoise, bright periwinkle blue to cobalt blue, and a rich ultramarine blue on into a deep purple.  A bit of lavender and hot pink round out the mix.  
Truly fit for royalty.

I pulled out all of my turquoise and purple beads, and had so much fun choosing colors for this riot of a cuff bracelet.  The only difficulty in working with Shibori Silk Ribbon is the reluctance to cover up any of the inherent beauty in the dyed silk.

The photo above shows the ends of the cuff bracelet with lavender flowers, as well as the beaded edge which is made up of iridescent Japanese glass seed beads.
Above photo shows just a peek at the inside of the cuff, which is covered with a deep purple Ultra Suede for softness against the skin.  Also on the inside is a line of the same iridescent Japanese glass seed beads to cover the edges and for continuity.  The main cabochons are Jasper with shades of turquoise and lavender. 

As always, I have used Nicole Campanella's NBB (Nicole's Bead Backing) as my foundation for this bracelet.  This is the only bead embroidery backing I will use, and it makes every project turn out beautifully.  



Thursday, December 8, 2016

The Subtle Side of Autumn

 The Subtle Side of Autumn . . .

This most recent bead embroidered cuff bracelet that I made is a commissioned piece for a lovely lady who wears and enjoys the beautifully subtle colors of autumn: bronze, olive, burnt orange, taupe, and brown.  It was a joy making this bracelet because I also love these colors.  The stones I used in this bracelet include Jasper, faux pearl, and Japanese glass Toho beads.


Because I believe that Nicole Campanella's Beadwright Beadbacking is the ONLY backing worth working on for hours on end, I chose her Hawk color, which was the perfect background for these autumnal colors.  It makes the experience of bead embroidery that much more enjoyable when your bead backing material is not only a color that compliments your design, but is 100% perfect for stitching beads of various sizes, and sewing through each of the beads as many as four different times.  If you are a bead embroiderer and haven't tried Nicole's Beadbacking, please do yourself an immense favor and you'll never look back!  Trust me on this!  (See my previous posts for information on Nicole Campanella's Beadbacking and Web site.)


This cuff has an inner brass bracelet inside for stability, and an UltraSuede lining on the inside for comfort.  The advantage of the brass bracelet inside is that the wearer can pull it to stretch the cuff larger, or squeeze it to make the cuff smaller - depending on her wrist size.

 

*Click on photos to see enlarged sizes.  

 

The top photo is the bead embroidered cuff bracelet before it is attached to the inner brass form.  The bottom photo shows the finished bracelet with beaded picot edging.

 

Saturday, September 20, 2014

"Dress Rehearsal"

"Dress Rehearsal"

Bead Embroidered Bracelet 

I've named this bracelet "Dress Rehearsal" in honor of my maternal grandmother whose love of sewing was passed down to me.  She lovingly made many costumes for my mother over the years.  I imagined her working on a similar project for a special costume in time for a dress rehearsal for a play, pageant, or parade.

For a number of months now I've been noticing on www.Pinterest.com these really striking bead embroidered bracelets that feature a swirling, pleated fabric.  It took me a number of clicks and following a few links, but finally I discovered that this "fabric" is called SHIBORI SILK RIBBON

Next, I just HAD to get some and try my hand at beading with it.  OH, is it wonderful stuff!

I firmly believe in keeping my business local and supporting my local bead shop.  But every once in a while, I need something different that isn't carried by my hometown bead shop.  Thank goodness for www.Etsy.com ~ this is where I find out-of-the-ordinary unique beads and beading supplies, and it makes me very happy to give my business to Etsy sellers.

If you are interested in incorporating Shibori Silk Ribbon into your beading designs, I encourage you to give it a whirl.  The silk ribbon is dyed the most delightful colors and arrives pleated.  It's up to you if you want to retain the pleats, or spread them out.   Yes, it takes a bit of patience.   The silk ribbon, I found, has a mind of its own ... it seemed easier to work "with" it than "against" it.

The silk ribbon is first gently tacked down onto Nicole Campanella's beading foundation (NBB), with thread in a color close to the ribbon color. I took tiny little (almost invisible) stitches every 1/2" to 1".  This kept the ribbon from moving around too much, and set the stage for the beading process to follow.
click on any photos for larger image

My bracelet includes a number of "Peacock Iris" iridescent beads, and most have an AB (Aurora Borealis) finish.  The bezeled cabochons are Jasper and glass.  The pearls are freshwater (dyed) and glass.  The crystals are faceted.  The round beads are Jasper, and the seed beads are Japanese Toho glass.  The gold clasp is made in Germany and embellished with iris Hematite cube beads.  Around the outer edge of the bracelet, I have sewn AB drop beads in various shades of turquoise, green, purple, and gold ~ interspersed with a picot edging.

On the underside of the bracelet, a turquoise UltraSuede lends softness against the skin.  This was such a delightful project that I could hardly wait to start another Shibori Silk Ribbon bracelet. Next up: in time for Autumn, the glorious colors of a fall sunset... 

I am always happy to share my sources:
Beads:
BEADS & MORE
215 Water St, Kerrville, TX 78028
(830) 896-9107  Ask for Lizz.
~~~
Beading foundation:
NBB by Nicole Campanella
~~~
Shibori Silk Ribbon:
ArtisticWeavers on www.Etsy.com
Deborah Weaver ~ Email:  DeborahWeaver56@gmail.com





Friday, September 5, 2014

"Cleopatra's Prize"



Inpiration:  "The Colors of Egyptian Art"


Leafing through a catalogue recently, I came across an example of Egyptian art.  I cut this part out because I love the combination of colors and wanted to use them in a bead embroidered cuff bracelet project.


I've covered up a part of the writing in the lower left corner to make it less distracting - but the colors are black, terra cotta, turquoise/verdigris and a subtle, light gold color.

The above photo shows the beaded bracelet on the foundation before it was attached to the inner brass cuff.
It's always easier to see the whole design flat like this, instead of wrapped around the circular cuff.   


click on any image to enlarge

The turquoise that I chose for my bracelet is a much stronger color with a deeper intensity than what is shown in the example of Egyptian art above.  I was happy with the colors I chose, and the ones in the example were merely a jumping-off point.  Perhaps at a later date I'll use the same inspiration but choose a true light verdigris and incorporate the light gold, as well.

For now, I liked the stronger palette - and I always go with my first instincts.

The turquoise stones in this bracelet are dyed Jasper. These small disks were arranged flat with a size 15 terra cotta glass seed bead as a "stop" bead to hold them down.  They showed more of the Jasper placed this way, instead of lined up flat, side to flat side.

 I've decided there just isn't a "look" that Jasper can't fill in for - it's been my go-to gemstone for most of my projects.  The central oval cabochon is also Jasper, and this one has a rich terra cotta color that works so well with the turquoise.

The round stones with an orange glow are Carnelian.  This stone marries well with turquoise, as it is a very close complementary color (green-turquoise + red-orange).  In addition, I added in some faceted crystals with a turquoise and gold, and a number of turquoise-colored glass pearls in two sizes.  The rest are seed beads - all glass beads, in sizes ranging from 8 to 15.  The blacks are both the shiny opaque black (Czech size 12) and the matte black (Japanese size 8) for added interest.  Tiny light turquoise seed beads are intersperced in any areas where the round stones left a bit of a gap.

The edges of the cuff are finished off with a picot edging,
and the underside is a very soft teal-colored UltraSuede. 


As usual, my work is hand-sewn and embroidered on Nicole Campanella's NBB, the foundation that is perfect for this work.  There is a brass bracelet blank inside sandwiched between the top beaded part and the underside UltraSuede, which is in a rich teal color.

For more information on my preferred bead embroidery foundation called NBB, please click here:
http://beadwright.com/

Contact me if you are interested in sources for brass bracelet blanks or UltraSuede.






Thursday, June 26, 2014

"The Golden Bee"

~ Bead Embroidered Pendant with Necklace ~


"The Golden Bee" was created to showcase a beautiful rectangular pendant gemstone of pink dyed Jasper and an assortment of similar Jasper organic-shaped stones drilled for stringing into a necklace.

The Jasper stone was attached to a white foundation by Nicole Campanella called NBB.  This was before I knew she carried a hot pink NBB in the Tropical Berry color that might have been just perfect.  But with the white foundation, I merely used some liquid fabric dye to get the white NBB the color pink that I wanted.  Now I have the Tropical Berry color in my stash, ready for the next hot pink project.


Above is a closer view of the pendant.  I've included smaller pink-dyed Jasper stones in two different variations, plus a pink-dyed pearl, marbled glass beads, a hot pink cut crystal, bugle beads, Japanese  glass seed beads in a chocolate brown, gold, hot pink, pearl, topaz, and luster. 

The triangular gold piece in the 4 o'clock position is a gold button from my grandmother's collection - it truly resembles a gold nugget. Buttons from the `30's and `40's were so well made and very unique. 

Dangling at the bottom of the pendant I have added hot pink crystal bicones, bubblegum pink cracked glass round beads, and cut crystal AB drops in hot pink.  The little gold bee charm, after which the necklace is named, hangs from the bottom as well - it is anatomically correct on both the front and back.

The necklace part consists of strung pink-dyed and drilled Jasper stones with one glass seed bead in hot pink between each stone so they will drape well.  A gold chain with an AB pink crystal finishes off the necklace so that it can be worn at various lengths.

I seem to be drawn to Jasper ~ the different colors and looks always intrigue me. 

click on any photo to enlarge image



Monday, April 21, 2014

"Celebration" ~ Bead Embroidered Cuff Bracelet

"Celebration"



Many times my bead embroidery projects begin with a color choice.  Other times it's a special gemstone cabochon that I want to feature, and then I pick colors to enhance that particular piece.

With "Celebration" I turned to two printed artworks that I have saved for a few years because I loved the color combinations in both paintings.  One painting is by Thomas Cooper Gotch and it is called "The Child Enthroned." This artwork features a young girl wearing an elaborate robe and sitting on a throne with a halo behind her head. (Seen below on the bottom of the photo on the diagonal.)  The other painting is of a mother holding her sleeping infant.  This was a Christmas card, and unfortunately, I do not know the name of the artist or the title of the painting itself. [If you know, please tell me, as I'd love to know the name of the artist or the title of the painting!]



What these two paintings have in common is their similar "colorway."  Both paintings utilize the complementary colors of green and red - and in these two cases, the green leans towards turquoise, and the red leans toward orange.  The addition of a golden yellow and a creamy oyster color add to the harmony.


click on any photo to enlarge

Turquoise-green and red-orange (coral) are my two most favorite colors, so it's no surprise when I choose them for my bead embroidery.  As complementary colors, they sing in the presence of each other.  

The above photo shows the bead embroidered cuff bracelet flat on the beading foundation before it is attached to the brass cuff bracelet.  
Above photo and below photo show the finished cuff bracelet.
The central focal piece is a Jasper gemstone.  It is bezeled with turquoise colored cut crystals, topaz-gold colored cut Czech crystals, and 8 mm golden fossil beads. 

In addition, there are red glass faceted beads in a few sizes, Japanese glass Toho beads, four oval green glass cabochons, ivory luster fossil beads, two vintage green buttons, and four red-dyed Mother of Pearl buttons.

The inside of the cuff is green UltraSuede, and the outer edges of the cuff bracelet are finished off with a decorative picot edge.  

As in my other bead embroidery jewelry pieces, the backing I favor is by Nicole Campanella, and is called NBB.  Here, I used the Green Leaf color.  
For 13 additional colors of NBB, please check out her Web site at 






Wednesday, March 5, 2014

"Stepping Stones" ~ Necklace Featuring Red Creek Jasper



The gemstone Jasper is playing a starring role again in my beaded creations.  This particular Jasper stone is called Red Creek Jasper, and the colorations of the stones range from a light creamy yellow, to a soft orange, on to a deep red, a gray-green, an olive green, and finally a brown.  Often the stones have most of these colors embedded in them in swirly patterns. 


click on photo for larger image

This necklace incorporates large Red Creek Jasper free-form beads (the long, narrow shapes), as well as a triangular piece in the middle, and several oval-shaped beads besides the round 4 mm, 6 mm, and 8 mm beads.  I've added Yellow Jasper in places to play off the yellow coloration.  In addition, there are a few Agates, and lots of Japanese Toho glass seed beads in olive green, dark taupe, and a creamy yellow - these are in sizes 6, 8, 11, and 15. 

The entire piece was hand sewn and embroidered bead by bead on Nicole Campanella's NBB foundation in the color Hawk Wing.  The backing is a soft tan-colored UltraSuede.  Around the edges of the piece I have added very delicate picot edging with tiny size 15 beads. 

The toggle bar and loop closure is made with seed beads, and I got a little ambitious and made a beaded bead as well.  I'm still working on improving that technique . . .



Here is a closer look at the various colorations in Red Creek Jasper beads. 




Wednesday, January 22, 2014

"Journey's End"





My latest bead embroidered cuff bracelet, "Journey's End," is a pairing of the gemstone Tiger's Eye with Amazonite in a turquoise-green color.  I think the two colors are charming together, exhibiting a very attractive warmth.  As it is still very cold this winter, I am drawn to these warm colors.

This is my first time to use gemstone chips in my bracelets.  This overall design is somewhat symmetrical, and the chips add a random look that is unexpected while offering relief from too much pattern.
Above is the bead embroidered top before it is attached to the inner brass cuff and finished off with edging and an inside addition of UltraSuede.



Along with the Tiger's Eye cabochons and beads, and four large Amazonite beads, I have added round gold-colored cut crystals, gold-colored crystal bicones, natural pearls dyed green, and a variety of glass beads for interest.  The beads surrounding the focal Tiger's Eye cabochon are glass Hybrid Picasso beads, which mimic the look of a green shade of turquoise. I have sewn and embroidered the beads one or two at a time onto Nicole's BeadBacking (NBB) in the Leaf Green color.  Each bead is then sewn through again for security and to align the rows of beads.  All beads that protrude from the tops of other beads are sewn three or four times for added strength.


The inside of the cuff is lined with soft green UltraSuede. 
The edges of the bracelet have a 'picot edge' with more 
turquoise-green seed beads, plus several topaz-gold seed beads.

"Journey's End"
Photo below - click on any photos for larger image.


For information on my favorite bead backing, and to order NBB
please check out Nicole Campanella's Web site:

"Journey's End" is in a private collection.







Thursday, December 26, 2013

"Blue Harmony" ~ Bead Embroidered Cuff Bracelet

"Blue Harmony"


*click on photos for larger image

The above photo shows the beaded bracelet after all the top embroidery is completed, but before it is attached to the inner brass cuff blank.  It's easier to see the bracelet design when it is photographed flat like this first. Once the top beaded foundation is attached to the cuff, the rounded form is more difficult to photograph well, or to see in its entirety. 

Many of my bead embroidered bracelets start with an interesting gemstone cabochon - this one, "Blue Harmony," is no different.  The central jasper gemstone cabochon is a beautiful swirl of blue and earth-toned colors.  I chose to feature the blue and the brown colors, choosing to use a sapphire blue that is neither warm nor cool - a true blue - and a soft brown to play up the blue.  I did not want this blue bracelet to veer to the cool side (aqua blue), or the warm side (violet blue). 

Two swirly glass cabochons flank the focal gemstone and carry out the blue/brown colorway.  Light blue, half-domed pearls encircle the jasper stone in the middle and add a subtle elegance.  In addition to these, I've added glass seed beads, Czech crystals, AB glass cut crystals, earth-toned matte Picasso beads, and four light blue, Lucite, "hibiscus-shaped" flowers. Springing from the middle of the Lucite flowers are blue beaded stamens.  Lucite is a type of acrylic glass - these flowers have a charming frosted look to them.
The inside of the cuff bracelet is finished off with an UltraSuede fabric in a floral and lace pattern in soft blues and creams. 

Below are three photos of the finished bracelet.



 "Blue Harmony" showing side view.



"Blue Harmony" showing bottom of cuff, and inner designed UltraSuede, as well as the picot edging around the bracelet that finishes off the design in a delicate manner.



Top view of "Blue Harmony" bead embroidered cuff bracelet.


Friday, December 6, 2013

"Buried Treasure"


"Buried Treasure"



click on photos for larger image

For many years I've held a fascination for ammonites.  These fossilized shells with a spiral core are individually unique in size, shape, and overall appearance.  I chose 12 from my growing collection with the intention of making a bracelet, but clearly there were too many for wrapping around my wrist - and I was determined to use this particular group.  A necklace became the next best idea.

Photos are by my dear friend Sharlet Sizemore, 
of "Beads and More" in Kerrville, Texas. 
Many thanks to her for taking an accurate color photo.

A closer look below ...




Each of the individual ammonites were first bezeled on Midnight Black foundation (Nicole's BeadBacking) and completely finished (without the UltraSuede backing).  Once I had all 12 ammonites bezeled, I then sewed them onto Rich Brown  foundation (Nicole's BeadBacking).  After they were all positioned and held firmly on the foundation with stitches, I then beaded around the ammonites with various beads and gemstones.


Included in the mix were jasper and agate gemstone beads in sizes 10, 8, and 6 mm., some of which were faceted.  Also glass pearls, Swarovski cut crystals, Miyuki Picasso magatamas (delicate drop beads) and a variety of Japanese seed beads in several sizes including 6, 8, 11, and 15.

This was easily the most involved piece of bead embroidery I've ever attempted, but it was also the most enjoyable.  The bead embroidered section (minus the necklace) measures about 9" high by 7" wide.  The backing is a dark brown UltraSuede, and the necklace part is made with brown glass pearls separated by glass seed beads.  



For more information and to order the fabulous bead backing foundation (NBB) by Nicole Campanella, please visit her Web site:

http://www.beadwright.com/

Because her NBB so outshines the competition in the arena of foundation material, I was able to easily manipulate around these very high bezeled ammonites to work the intricate beading between them.  NBB will bend easily, and then magically return to the same perfect stiffness required throughout the entire beading project.  If you are a bead embroiderer and haven't tried it, please treat yourself to the best!

Now to continue my search for beautiful ammonites to make that bracelet . . . 

Photo above shows brown glass pearls necklace and gold findings.
click on photos for larger image




Saturday, November 9, 2013

"Jungle Fever" Bead Embroidered Pendant with Bead Necklace.




Leopardskin Jasper, (also called Jaguar Stone), is one of the many different appearances in the stone called Jasper.  My current attraction to Jasper stones stems from its beautiful earthy and natural look ~ all the warm colors found in nature can be seen in the various Jasper stones.  Each one is a work of art all by itself, even before it is embellished with bead embroidery.

This bead embroidered pendant (with necklace) features Leopardskin Jasper 9 mm. round beads, as well as cut black crystals, glass seed beads in black as well as burnt orange, with a seed bead toggle and clasp for continuity.

 The central rectangular cabochon is an agate.  The colors in the focal agate marry well with the colors found in the Leopardskin Jasper beads, each having rusty browns, blacks, burnt oranges, and cream colors.  At the bottom of the focal cabochon agate is a triangular Leopardskin Jasper chip bead.



This pendant was bead embroidered onto Nicole's NBB in the Rich Brown Color.  See the below link to purchase this amazing beading foundation by Nicole Campanella.
http://www.beadwright.com/


Above the agate cabochon, is a black glass square cabochon surrounded by twelve  4 mm. Leopardskin Jasper beads.
The edges of the pendant are enhanced with a picot beading stitch, and the back of the pendant (not shown) is finished off with a soft cheetah print UltraSuede.  Given the pairing of the Leopardskin Jasper and the cheetah print UltraSuede, I named this one "Jungle Fever."


Below is a closer view of the pendant by itself.  Click on any photo to enlarge image.


Friday, September 27, 2013

"Burnt Offering"

"Burnt Offering"


"Burnt Offering" is a bead embroidered pendant strung on a beaded necklace.  Oh, these colors are my favorite!  Especially this time of year as we approach Autumn. 

After making several bead embroidered cuff bracelets, I was amazed at how quickly this pendant came together. 

*Click on photo for enlarged view



Below is a closer view of the pendant.  I embroidered the stones onto Nicole's BeadBacking
(order yours by clicking here: http://nicolecampanella.com ) in her beautifully vibrant red color, which lent the piece a firey tone. 


The upper stone is Pyrite - it looks gold in this photo, but it's really more of a vintage silver look. 

The bottom stone is a cabochon that I ordered from India.  It came marked as:  "Natural Silver Spider Web Copper Coral Cushion," and indeed it does have a silver-toned spider web look to it.

In addition to the two gemstones, included are burnt orange cut crystals, two jasper "donut" beads, and various glass seed beads in matte and opaque - sizes 6, 8, 11, and 15 (around the bezel of the Pyrite stone). 

The beads in the necklace are called "Sponge Coral" and each one has a slightly different organic shape to it.

I made a toggle and loop for the closure, as I find this kind of beaded toggle closure ties in the whole design better than a store-bought "silver" metal toggle.  Besides - it's fun to make your own toggles.  You probably already have enough beads, and they make up very quickly. 

The back side of the bead embroidered pendant (not shown) is a very deep, cranberry-colored  UltraSuede fabric.




Sunday, September 8, 2013

"IVORY COAST"

"Ivory Coast"


Everything I create gets a name, whether it's an original painting or a beaded bracelet.
This bead embroidered cuff bracelet I have named "Ivory Coast." 
The pearls and beads remind me of the color of shells I've found on the beach. 



* click on photos for larger image
Above is the bead embroidered work before it is attached to the brass inner cuff, and before it is finished off with the inside UltraSuede lining.  These bead embroidered bracelets are easier to see flat first, before they are shown circling a cuff bracelet.


This photo shows the finished cuff bracelet.  The center focal piece is a carved ivory rose cabochon that I encircled with jasper gemstones, glass seed beads, and glass pearls.  On the four "corners" are Lucite tulip flowers with pearl stamens. By each flower is a carved acrylic leaf.  The outer edging on the bracelet is finished with a lacey picot edge.


Besides the ivory rose and jasper beads, this bracelet also includes fresh water pearls, AB crystals, and assorted cream/ivory/ecru beads of various sizes and shapes.  I purposely chose only off-white beads, so no white beads are in the mix.  I think it turned out more elegant with only the cream-colored beads.  The foundation fabric onto which I beaded is a lovely warm tan shade, and the inside of the cuff is covered with ivory-colored UltraSuede in a faux tooled pattern.  The brass inner cuff is sandwiched between the top bead embroidered work and the UltraSuede to give the bracelet form and strength. The bead backing or foundation that I used is by Nicole Campanella (*see last paragraph) and the beautiful tan color is called "Hawk Wing."


I wanted this bracelet to have an old-fashioned vintage jewelry feel to it.  This was my favorite bead embroidered cuff bracelet to work on ... but then, I seem to think that with each one as I'm designing and working on them.  I'm actually a little sad when the bracelet is finally finished, but immediately I'm eager to start a new one.

*For those of you who are already enjoying your own bead embroidery projects, I must share my recent discovery for an exceptional bead backing (the foundation upon which the beads are sewn.)  It's called:  Nicole's BeadBacking (NBB).  This proprietary/copyrighted material is a most excellent surface for not only beadwork, but other sewing applications, and is fast becoming the go-to backing for bead embroidery artists - I know I am a forever fan. 
If you are interested in more information, please visit her Web site at:









Thursday, August 29, 2013

"Peacock Landing" ~ Pyrite and Iris Bead Embroidered Cuff Bracelet


"Peacock Landing"



  • Pyrite and Iris Bead Embroidered Cuff Bracelet

*click on all photos for larger view


The above photo shows the flat bead embroidered work before it is attached to the inner brass blank that gives the bracelet the rounded cuff form.  It's easier to see the whole bracelet design when it's photographed flat like this.

I have a fascination for the "iris" finish seed beads.  Iris beads feature an iridescence that showcases colors in purple, violet, blue, turquoise, green, and gold.  These beads are often sold together in a mixture, and sometimes one or another intense color predominates the mix.  The mix that I chose featured mostly violet/magenta beads. 





Pyrite is a mineral (iron pyrite/iron sulfide) with a metallic luster often referred to as "Fool's Gold" because of the pale, brass-yellow hue in the stone.  The pyrite beads I chose for this bracelet have more of a silver tone to them, although a flicker of gold can be seen in some of the rough nuggets called Rainbow Mystic Pyrite.

Below photo shows Rainbow Mystic Pyrite ~ rough iron Pyrite nuggets with a shimmer of colors similar to the iris beads.  The mineral Pyrite is coated with titanium, and then heat-treated to bring out the various lustrous and light-reflective colors.  I thought these Pyrite nuggets would make a great pairing with the colorful iris beads. 

Below is the finished bead embroidered cuff bracelet with a central Pyrite focal cabochon bead.
In addition to the several sizes and shapes of Pyrite (including Pyrite nail-head beads), and the iris beads, I have included gray pearls, glass magenta pearls, AB color-changing crystal beads, bugle beads, and silver-colored hematite beads.





The edges of the bracelet are embellished with size 15/0 iris beads in a picot design. 
The inside of the cuff is soft, black UltraSuede for comfort.



This has turned out to be my favorite bead embroidered cuff bracelet so far.  Possibly because I expected the Pyrite gemstones to lend a casual look to the final piece, but they surprised me by turning out much more elegant.  Still ... I'm not afraid to pair a bracelet like this with jeans.  I hope you are inspired by iridescence.   







Thursday, August 15, 2013

"Royalty" ~ Bead Embroidered Bracelet

"Royalty"




This bead embroidered bracelet is named "Royalty" for the beautiful purples, lavenders, turquoise, and silver colors.  The design is purposely asymmetrical and freeform, with sections that incorporate a myriad of beads in various colors, textures, sizes, and shapes.  The largest cabochon stone is a lovely jasper with swirling purples - bezeled with rows of peyote stitching.  The randomly arranged and organically-shaped stones are dyed Howlite in shades of purple and turquoise.  Interspersed are silver beads with a silver toggle that echoes the square divisions in the bracelet.  The underside of the bracelet features a soft, teal-colored UltraSuede for comfort on the wrist.

*Click on photo for larger image.

Thursday, August 1, 2013

"Singing The Blues" ~ Blue Agate Bead Embroidered Pendant and Necklace

"Singing The Blues"

Blue Agate Bead Embroidered Pendant and Necklace



The pendant began with a blue agate cabochon around which I have added bead embroidery using size 11 Capri blue glass seed beads, size 11 silver seed beads, and size 15 Capri blue glass seed beads.  One blue agate round bead is diagonally attached to the rectangular pendant along with seed beads on each side.  The bail is made with the Capri blue seed beads and the silver seed beads, and was purposefully made large enough to slip off the necklace for when the wearer wishes to enjoy only the necklace and not the pendant.  A Capri blue seed bead rests between each bead on the necklace for graceful movement, and the finding is a silver toggle that complements the silver beads.  The back of the pendant is covered with a soft, light tan UltraSuede fabric.

Wednesday, July 10, 2013

"Deep Sea Diving" ~ Sea Sediment Jasper with Aqua and Bronze Bead Embroidered Bracelet


"Deep Sea Diving"  

Free-form Bead Embroidered Bracelet

Click photo for larger image.

Pictured above is a bead embroidered bracelet with five focal sea sediment jasper gemstones surrounded by various aqua and earth-colored stones.  The piece also includes aventurine stones, glass beads, pearls, crystals, and sea glass along with a few brass metallic beads.  The closure beads are faux ammonites which hold the bracelet closed through tortoiseshell-colored beaded loops. 

Because of the organic size of the jasper stones, the bracelet itself is purposely asymmetrical.  The colorations of aquas (sea) and earthtones (sand) give a coastal feeling to this bracelet.  On the underside of the bracelet (not shown) is a soft aqua shade of UltraSuede with a faint "tooled leather" design.  The sewn edges are covered with hand-dyed silk ribbon in a matching aqua color.

*This bead embroidered bracelet was entirely made using only my left (non-dominant) hand due to a right hand accident involving broken glass.