"Buried Treasure"

"Buried Treasure"

click on photos for larger image

For many years I've held a fascination for ammonites.  These fossilized shells with a spiral core are individually unique in size, shape, and overall appearance.  I chose 12 from my growing collection with the intention of making a bracelet, but clearly there were too many for wrapping around my wrist - and I was determined to use this particular group.  A necklace became the next best idea.

Photos are by my dear friend Sharlet Sizemore, 

of "Beads and More" in Kerrville, Texas. 

Many thanks to her for taking an accurate color photo.

A closer look below ...

Each of the individual ammonites were first bezeled on Midnight Black foundation (Nicole's BeadBacking) and completely finished (without the UltraSuede backing).  Once I had all 12 ammonites bezeled, I then sewed them onto Rich Brown  foundation (Nicole's BeadBacking).  After they were all positioned and held firmly on the foundation with stitches, I then beaded around the ammonites with various beads and gemstones.

Included in the mix were jasper and agate gemstone beads in sizes 10, 8, and 6 mm., some of which were faceted.  Also glass pearls, Swarovski cut crystals, Miyuki Picasso magatamas (delicate drop beads) and a variety of Japanese seed beads in several sizes including 6, 8, 11, and 15.

This was easily the most involved piece of bead embroidery I've ever attempted, but it was also the most enjoyable.  The bead embroidered section (minus the necklace) measures about 9" high by 7" wide.  The backing is a dark brown UltraSuede, and the necklace part is made with brown glass pearls separated by glass seed beads.  

For more information and to order the fabulous bead backing foundation (NBB) by Nicole Campanella, please visit her Web site:

http://www.beadwright.com/

Because her NBB so outshines the competition in the arena of foundation material, I was able to easily manipulate around these very high bezeled ammonites to work the intricate beading between them.  NBB will bend easily, and then magically return to the same perfect stiffness required throughout the entire beading project.  If you are a bead embroiderer and haven't tried it, please treat yourself to the best!

Now to continue my search for beautiful ammonites to make that bracelet . . . 

Photo above shows brown glass pearls necklace and gold findings.

click on photos for larger image

"IVORY COAST"

"Ivory Coast"

Everything I create gets a name, whether it's an original painting or a beaded bracelet.

This bead embroidered cuff bracelet I have named "Ivory Coast." 

The pearls and beads remind me of the color of shells I've found on the beach. 



* click on photos for larger image

Above is the bead embroidered work before it is attached to the brass inner cuff, and before it is finished off with the inside UltraSuede lining.  These bead embroidered bracelets are easier to see flat first, before they are shown circling a cuff bracelet.

This photo shows the finished cuff bracelet.  The center focal piece is a carved ivory rose cabochon that I encircled with jasper gemstones, glass seed beads, and glass pearls.  On the four "corners" are Lucite tulip flowers with pearl stamens. By each flower is a carved acrylic leaf.  The outer edging on the bracelet is finished with a lacey picot edge.

Besides the ivory rose and jasper beads, this bracelet also includes fresh water pearls, AB crystals, and assorted cream/ivory/ecru beads of various sizes and shapes.  I purposely chose only off-white beads, so no white beads are in the mix.  I think it turned out more elegant with only the cream-colored beads.  The foundation fabric onto which I beaded is a lovely warm tan shade, and the inside of the cuff is covered with ivory-colored UltraSuede in a faux tooled pattern.  The brass inner cuff is sandwiched between the top bead embroidered work and the UltraSuede to give the bracelet form and strength. The bead backing or foundation that I used is by Nicole Campanella (*see last paragraph) and the beautiful tan color is called "Hawk Wing."

I wanted this bracelet to have an old-fashioned vintage jewelry feel to it.  This was my favorite bead embroidered cuff bracelet to work on ... but then, I seem to think that with each one as I'm designing and working on them.  I'm actually a little sad when the bracelet is finally finished, but immediately I'm eager to start a new one.

*For those of you who are already enjoying your own bead embroidery projects, I must share my recent discovery for an exceptional bead backing (the foundation upon which the beads are sewn.)  It's called:  Nicole's BeadBacking (NBB).  This proprietary/copyrighted material is a most excellent surface for not only beadwork, but other sewing applications, and is fast becoming the go-to backing for bead embroidery artists - I know I am a forever fan. 

If you are interested in more information, please visit her Web site at:

www.NicoleCampanella.com or www.beadwright.etsy.com









"Shoreline Surprises" ~ Mixed Gemstone Free-form Beaded Embroidered Pendant Necklace.

"Shoreline Surprises"

*Click photo once or twice for larger image.

Mixed Gemstone Free-form Beaded Embroidered Pendant Necklace.

That's a long name for this project, but it goes a long way in explaining what it is exactly.

It is made up of an assortment of  glass beads, and the stones are turquoise, jasper, agate, sea shells, pearls, crystals, and two Ammonites.  (Click on the photo for a closer view.)

As in most of my bead embroidery projects, the beads are sewn on one at a time, or at the most, two at a time.  Then they are sewn through again (and sometimes more than twice) for added strength and to align the beads properly. 

There is one addition in this pendant that I'll call a " fiery crystal," although I don't know the exact name for it and I can't find them on-line.  (A very sweet friend sold me this one.)  It's very strongly AB-coated (Aurora Borealis) and prismatic with a flashing fiery look.  In the pendant, it is seen in the lower right corner and looks a bit yellow.  I'd be interested in finding more of these if anyone knows a source.  It's almost impossible to get a good photo of it, as it reflects light so strongly, but above I've posted two views. 

This project was very enjoyable and I learned a lot from it.  This is why I love beaded embroidery - it is challenging and meditative all at the same time.