"Fit for a Duchess"

"Fit for a Duchess" 

... is the the name I've given to my latest bead embroidered cuff bracelet.

The base is a gorgeous Shibori Silk Ribbon hand-dyed by Deborah Weaver, showcasing a glorious array of colors that range from soft aqua to greenish-turquoise, bright periwinkle blue to cobalt blue, and a rich ultramarine blue on into a deep purple.  A bit of lavender and hot pink round out the mix.  

Truly fit for royalty.

I pulled out all of my turquoise and purple beads, and had so much fun choosing colors for this riot of a cuff bracelet.  The only difficulty in working with Shibori Silk Ribbon is the reluctance to cover up any of the inherent beauty in the dyed silk.

The photo above shows the ends of the cuff bracelet with lavender flowers, as well as the beaded edge which is made up of iridescent Japanese glass seed beads.

Above photo shows just a peek at the inside of the cuff, which is covered with a deep purple Ultra Suede for softness against the skin.  Also on the inside is a line of the same iridescent Japanese glass seed beads to cover the edges and for continuity.  The main cabochons are Jasper with shades of turquoise and lavender. 

As always, I have used Nicole Campanella's NBB (Nicole's Bead Backing) as my foundation for this bracelet.  This is the only bead embroidery backing I will use, and it makes every project turn out beautifully.  

The Subtle Side of Autumn

 The Subtle Side of Autumn . . .

This most recent bead embroidered cuff bracelet that I made is a commissioned piece for a lovely lady who wears and enjoys the beautifully subtle colors of autumn: bronze, olive, burnt orange, taupe, and brown.  It was a joy making this bracelet because I also love these colors.  The stones I used in this bracelet include Jasper, faux pearl, and Japanese glass Toho beads.

Because I believe that Nicole Campanella's Beadwright Beadbacking is the ONLY backing worth working on for hours on end, I chose her Hawk color, which was the perfect background for these autumnal colors.  It makes the experience of bead embroidery that much more enjoyable when your bead backing material is not only a color that compliments your design, but is 100% perfect for stitching beads of various sizes, and sewing through each of the beads as many as four different times.  If you are a bead embroiderer and haven't tried Nicole's Beadbacking, please do yourself an immense favor and you'll never look back!  Trust me on this!  (See my previous posts for information on Nicole Campanella's Beadbacking and Web site.)

This cuff has an inner brass bracelet inside for stability, and an UltraSuede lining on the inside for comfort.  The advantage of the brass bracelet inside is that the wearer can pull it to stretch the cuff larger, or squeeze it to make the cuff smaller - depending on her wrist size.

 

*Click on photos to see enlarged sizes.  

 

The top photo is the bead embroidered cuff bracelet before it is attached to the inner brass form.  The bottom photo shows the finished bracelet with beaded picot edging.

 

* STARLIGHT *

"Starlight" is the name I've given to this latest bead embroidered cuff bracelet that I've created.

The three asymmetrical gemstones in the middle are Aqua Terra Jasper ~ a beautiful stone with gorgeous colorations of aqua swirled with a honey-colored topaz and a warm brown.  These three stones have been bezeled with Toho Japanese glass seed beads, then surrounded with other Aqua Terra Jasper beads in several different sizes and shapes.  Toward the edges are more Toho Japanese seed beads, aqua "sea glass" round beads, Czech crystals, bicone crystals, and decorative varigated glass oval beads.

Below is a closer look at the central gemstones.

Click on any photo for a larger image

Sky Blue NBB foundation by Nicole Campanella is the base for all of my bead embroidery.

For the best beading foundation to be found on the market today, 

please check out:

www.Beadwright.com 

Below are three photos showing the finished bead embroidered cuff bracelet.

A delicate picot edge surrounds the whole bracelet.

Inside the cuff, I've used a light blue UltraSuede lining. 

The lovely organic swirls in Aqua Terra Jasper led to the

choice of light aqua blue, brown, and honey-colored beads.  

"Dress Rehearsal"

"Dress Rehearsal"

Bead Embroidered Bracelet 

I've named this bracelet "Dress Rehearsal" in honor of my maternal grandmother whose love of sewing was passed down to me.  She lovingly made many costumes for my mother over the years.  I imagined her working on a similar project for a special costume in time for a dress rehearsal for a play, pageant, or parade.

For a number of months now I've been noticing on www.Pinterest.com these really striking bead embroidered bracelets that feature a swirling, pleated fabric.  It took me a number of clicks and following a few links, but finally I discovered that this "fabric" is called SHIBORI SILK RIBBON. 

Next, I just HAD to get some and try my hand at beading with it.  OH, is it wonderful stuff!

I firmly believe in keeping my business local and supporting my local bead shop.  But every once in a while, I need something different that isn't carried by my hometown bead shop.  Thank goodness for www.Etsy.com ~ this is where I find out-of-the-ordinary unique beads and beading supplies, and it makes me very happy to give my business to Etsy sellers.

If you are interested in incorporating Shibori Silk Ribbon into your beading designs, I encourage you to give it a whirl.  The silk ribbon is dyed the most delightful colors and arrives pleated.  It's up to you if you want to retain the pleats, or spread them out.   Yes, it takes a bit of patience.   The silk ribbon, I found, has a mind of its own ... it seemed easier to work "with" it than "against" it.

The silk ribbon is first gently tacked down onto Nicole Campanella's beading foundation (NBB), with thread in a color close to the ribbon color. I took tiny little (almost invisible) stitches every 1/2" to 1".  This kept the ribbon from moving around too much, and set the stage for the beading process to follow.

click on any photos for larger image

My bracelet includes a number of "Peacock Iris" iridescent beads, and most have an AB (Aurora Borealis) finish.  The bezeled cabochons are Jasper and glass.  The pearls are freshwater (dyed) and glass.  The crystals are faceted.  The round beads are Jasper, and the seed beads are Japanese Toho glass.  The gold clasp is made in Germany and embellished with iris Hematite cube beads.  Around the outer edge of the bracelet, I have sewn AB drop beads in various shades of turquoise, green, purple, and gold ~ interspersed with a picot edging.

On the underside of the bracelet, a turquoise UltraSuede lends softness against the skin.  This was such a delightful project that I could hardly wait to start another Shibori Silk Ribbon bracelet. Next up: in time for Autumn, the glorious colors of a fall sunset... 

I am always happy to share my sources:

Beads:

BEADS & MORE

215 Water St, Kerrville, TX 78028

(830) 896-9107  Ask for Lizz.

~~~

Beading foundation:

NBB by Nicole Campanella

www.Beadwright.com

~~~

Shibori Silk Ribbon:

ArtisticWeavers on www.Etsy.com

Deborah Weaver ~ Email:  DeborahWeaver56@gmail.com

"Cleopatra's Prize"

Inpiration:  "The Colors of Egyptian Art"

Leafing through a catalogue recently, I came across an example of Egyptian art.  I cut this part out because I love the combination of colors and wanted to use them in a bead embroidered cuff bracelet project.

I've covered up a part of the writing in the lower left corner to make it less distracting - but the colors are black, terra cotta, turquoise/verdigris and a subtle, light gold color.

The above photo shows the beaded bracelet on the foundation before it was attached to the inner brass cuff.

It's always easier to see the whole design flat like this, instead of wrapped around the circular cuff.   

click on any image to enlarge

The turquoise that I chose for my bracelet is a much stronger color with a deeper intensity than what is shown in the example of Egyptian art above.  I was happy with the colors I chose, and the ones in the example were merely a jumping-off point.  Perhaps at a later date I'll use the same inspiration but choose a true light verdigris and incorporate the light gold, as well.

For now, I liked the stronger palette - and I always go with my first instincts.

The turquoise stones in this bracelet are dyed Jasper. These small disks were arranged flat with a size 15 terra cotta glass seed bead as a "stop" bead to hold them down.  They showed more of the Jasper placed this way, instead of lined up flat, side to flat side.

 I've decided there just isn't a "look" that Jasper can't fill in for - it's been my go-to gemstone for most of my projects.  The central oval cabochon is also Jasper, and this one has a rich terra cotta color that works so well with the turquoise.

The round stones with an orange glow are Carnelian.  This stone marries well with turquoise, as it is a very close complementary color (green-turquoise + red-orange).  In addition, I added in some faceted crystals with a turquoise and gold, and a number of turquoise-colored glass pearls in two sizes.  The rest are seed beads - all glass beads, in sizes ranging from 8 to 15.  The blacks are both the shiny opaque black (Czech size 12) and the matte black (Japanese size 8) for added interest.  Tiny light turquoise seed beads are intersperced in any areas where the round stones left a bit of a gap.

The edges of the cuff are finished off with a picot edging,
and the underside is a very soft teal-colored UltraSuede. 

As usual, my work is hand-sewn and embroidered on Nicole Campanella's NBB, the foundation that is perfect for this work.  There is a brass bracelet blank inside sandwiched between the top beaded part and the underside UltraSuede, which is in a rich teal color.

For more information on my preferred bead embroidery foundation called NBB, please click here:
http://beadwright.com/

Contact me if you are interested in sources for brass bracelet blanks or UltraSuede.

"A Moment In Time"

Pompeii, the Roman town buried under the fiery ashes from a volcano eruption of Mount Vesuvius in 79 AD is a story that will forever shock and fascinate us.  The terrified residents ran for their lives, but couldn't out-race the sudden and fatal combination of heat, smoke, ash, and burning debris raining down on them.  A few grabbed their most precious jewelry at the last moment.  It would be years later before some of these ancient pieces were unearthed and miraculously preserved.  The amazing fact is that due to certain atmospheric conditions occuring that day, much of Pompeii was captured for us to later recreate and see for ourselves . .   "A Moment In Time."

In my books on Pompeii, the colors from the ruins are my personal favorites : gold, amber, turquoise, red-orange, and copper.  These colors decorated the walls and homes of many citizens of Pompeii, mostly in painted frescoes or in colorful tiles.

Above: Photo from Pompeii wall that survived the volcano's eruption.

Click on any photo for a larger view

"A Moment In Time" is an off-loom beaded bracelet that I made using copper-colored glass Luster cube beads for the majority of the bracelet. These are sewn together using only thread - it is the peyote or gourd stitch that holds them together.  These beads have a very slight pink-orange tone to them and are highly reflective.  Working with them under any source of light was a bit of a challenge - as they almost blinded me, they were so shiny.  It was my first time to work with cube beads, as I generally use round beads. The cube beads lock together in a very satisfying way. 

The central focal part of the bracelet consists of a rectangular Red Creek Jasper pendant, a turquoise Magnesite oval cabochon, and a red-orange Carnelian faceted cabochon.  These three stones were embroidered by hand onto Nicole's BeadBacking in the Hawk Wing color.  After sewing down these cabs and bezeling them with cut-crystal bicones and tiny seed beads, I added amber-colored matte size 15 Delica seed beads around each stone to highlight them.

Although it's difficult to see clearly, I've attached a tiny copper bumble bee that was a gift from my daughter-in-law in the lower right corner of the Jasper gemstone - it is attached with a loop of seed beads so that it can move, as it is anatomically correct both on the front and back of the bee.

The very edge of the bracelet is finished off in a picot edge that features turquoise Hematite cube beads given to me by my dear friend, Linda.  The central picot beads are a Luster magatama or tear- drop bead.  Underneath the middle part of the bracelet, I have sewn a soft, burnt sienna-colored square of UltraSuede.

Although you cannot see it in the photo, the Luster beads that make up the majority of the bracelet are very flexible and drape almost the way fabric does - the movement of this bracelet is fluid as it encircles the wrist.  The closure is comprised of three decorated beaded toggles with three loops on the opposite side which blend in with the rest of the bracelet.

"Forest Floor" featuring a yellow-green Jasper focal cabochon on a bead embroidered cuff bracelet.

"Forest Floor" 

click on any photo for a larger image

My attraction for the stone Jasper continues ~ my hand automatically reaches for them whenever I visit my local bead store.  Jasper comes in so many different colors, and combinations of colors, I can't imagine every tiring of it.  This particular Jasper stone with it's bright yellow-greens, dark emerald green "spider webbings", and gray-green organic patches won me over, and I knew I had to make a bracelet with these colors.  It reminded me of the colors one might find on a forest floor.  While I don't have access to an actual forest, I do walk in the woods quite often . . . 

Around the time that I was working on this bracelet, I walked outside on a cold, winter afternoon and noticed on the ground bright green patches of new grass peeking up and growing alongside gray-green pieces of lichen.  It made me think of spring trying to push winter aside.  I was struck by the beauty of the two greens together, and wanted to incorporate them in this piece.

As I have done in the past, the first photo of the bracelet (above) shows the bead embroidered foundation flat for photographing ~ once it's placed on the brass blank cuff to become a bracelet, it's harder to see the entire design together.  

Besides the oval focal Jasper cabochon in the middle, I have added smaller Jasper beads in various greens and gray-greens, glass pearls in both green and gray, cut crystals in several colors including a very bright yellow-green, and Japanese seed beads in a number of colors, sizes, and finishes. Some of the smaller Jasper beads are called "Landscape Jasper."  Also included is a small, round, gray-green Agate that is faceted on the top of the stone. 

This bead embroidered cuff bracelet is sewn onto Nicole's BeadBacking in the Chartreuse Shine color ~ a yummy yellow-green color that allows the transparent and translucent beads as well as the cut crystals to show their best.

Above is the finished bead embroidered cuff bracelet.

Around the entire bracelet edge I have sewn a double row of picot edging using Japanese glass drops called Magatamas.  This is the first time I've tried a double row edging, and I really like the way it turned out.

Inside the bracelet is a soft, olive green UltraSuede lining.

~ ~ ~ ~ ~ 

"Promise Of Spring"

Because I love this bright, apple-green Jasper stone so much, I made a second bead embroidered cuff bracelet with it as a focal center stone when I discovered another one at my local bead shop, "Beads and More."  I just couldn't resist! (The first one I made to give as a gift.)

The Jasper stone is actually a bead meant to be worn as a pendant - there is a hole on each end lengthwise.  Both sides were equally beautiful - it was difficult to decide which one to show.  

I am calling this bracelet "Promise Of Spring" because I incorporated bright, yellow-green glass beads, as I was out of the "lichen-colored" gray-green stones.  In addition to the Jasper stone beads, I have also included faceted green Jade beads and faceted multi-toned Agate beads.  With spring always on my mind, and in anticipation of it after a long, cold winter, I think of this beautiful yellow-green color as a *harbinger of spring.*  

This image (above) shows the bead embroidered piece on the foundation after it has been cut away from the Nicole's NBB in the Chartreuse Shine color.  These bracelets photograph better flat, as the whole design can be seen at once.  After the beaded foundation is wrapped around a brass blank cuff, [which is sandwiched between the beading and the UltraSuede backing], it's more difficult to see the design - as only parts of it can be photographed at one time.

Here is the finished cuff (below) :

I have embellished the outer edges of the cuff with Japanese TOHO #11 glass seed beads, 

and added a picot edging with green crystal bi-cones. 

The next photo shows the ends of the cuff in an angle that features 

the inner UltraSuede material in a peacock pattern.

For information on the fantastic bead embroidery foundation that I use and highly recommend, please visit:

http://www.Beadwright.com

and discover Nicole's BeadBacking, which comes in 14 colors.  Treat yourself to the best!

"Coming Attraction"

Going to see a special movie, 

I remember sitting in the darkened theater 

waiting for my eyes to adjust.   

Slowly, my eyes grew accostomed to the dim light, 

and then all the colors sang out.  

The movie screen showed the "Coming Attraction"  . . . 

The beginning of "Coming Attraction" started with the idea of using black beads sewn on a black foundation.  Black is wonderful for showcasing my favorite turquoise color.  But could my eyes adjust to sewing black beads with black thread onto a black foundation?    (Yes!)

I chose two oval magnesite cabochons with black and brown matrix (veining), 

and then added several shiny jet black cabochons, 

all of which I bezeled with seed beads.   

From there, I began a beading journey with texture in mind.  

Above photo shows the finished bead embroidered piece before 

it is attached to the brass blank cuff and made into a bracelet.  

Click on any photo for larger view.

Here are some of the various components in "Coming Attraction."

• magnesite
• dyed jade
• faceted crystal beads
• glass seed beads
• bugle beads
• vintage buttons (3)
• wool-covered button
• AB glass 8 mm beads
• black Lucite flowers
• turquoise and brown dyed Jasper
• crystal bi-cone beads in black and turquoise
• iridescent seed beads
• black sequins (3)

Around the edges of the cuff bracelet, I've sewn on 

size 11 shiny, opaque, black seed beads 

with an apex of three turquoise AB seed beads in the picot design.

I was delighted with the Midnight Black foundation 

by Nicole Campanella (NBB) ~ 

It was not difficult at all sewing black beads onto the black NBB.  

Discover NBB for yourself by visiting:

www.Beadwright.com

"Save The Date"

Who doesn't love receiving a "Save The Date" card in the mail!  Time to pull out your pearls!

What is so amazing about pearls is that they have a chameleon nature to them ~ they look lovely with your little black dress, but you can also rock pearls with a tee shirt and jeans.  It's all about your confidence. My dear friend, Victoria, enjoys wearing her pearls even when playing a fast and furious game of tennis.  My mother wisely said, "If you are fortunate enough to own pearls, wear them often so they will become more lustrous with age."  With that attitude in mind, I've created:  "Save The Date."

Bracelet shown flat for better viewing of design.

click on any photo for larger image

This bead embroidered cuff bracelet lets the pearls run wild.  Two shell pearls are sewn on upside down to showcase their flat side, and not the bumpy, textured side.  An array of glass pearls in various tones and tints, from creamy white to golden, embellish the bracelet along with glass crystals and seed beads in shades of ivory.  Six mother of pearl buttons are added with glass crystal beads in their center.  Six frosted white Lucite flowers are hidden among the beads, each with very tiny pearls for stamens.

"Save The Date" is bead embroidered onto the tan-colored Hawk Wing NBB, and the beads are sewn down numerous time with crystal Fireline Braided Beading Thread for added security.

Nicole Campanella's Bead Backing (NBB) is my #1 (actually, ONLY) choice for bead embroidery foundation.  Order yours in any of 14 rich colors by visiting her Web site:
http://www.beadwright.com/

Photo showing the inside UltraSuede lining of the cuff bracelet, and the tiny crystal beads adorning the outer edges.

"Journey's End"

My latest bead embroidered cuff bracelet, "Journey's End," is a pairing of the gemstone Tiger's Eye with Amazonite in a turquoise-green color.  I think the two colors are charming together, exhibiting a very attractive warmth.  As it is still very cold this winter, I am drawn to these warm colors.

This is my first time to use gemstone chips in my bracelets.  This overall design is somewhat symmetrical, and the chips add a random look that is unexpected while offering relief from too much pattern.

Above is the bead embroidered top before it is attached to the inner brass cuff and finished off with edging and an inside addition of UltraSuede.

Along with the Tiger's Eye cabochons and beads, and four large Amazonite beads, I have added round gold-colored cut crystals, gold-colored crystal bicones, natural pearls dyed green, and a variety of glass beads for interest.  The beads surrounding the focal Tiger's Eye cabochon are glass Hybrid Picasso beads, which mimic the look of a green shade of turquoise. I have sewn and embroidered the beads one or two at a time onto Nicole's BeadBacking (NBB) in the Leaf Green color.  Each bead is then sewn through again for security and to align the rows of beads.  All beads that protrude from the tops of other beads are sewn three or four times for added strength.

The inside of the cuff is lined with soft green UltraSuede. 

The edges of the bracelet have a 'picot edge' with more 

turquoise-green seed beads, plus several topaz-gold seed beads.

"Journey's End"

Photo below - click on any photos for larger image.

For information on my favorite bead backing, and to order NBB, 

please check out Nicole Campanella's Web site:

 http://www.beadwright.com/ 

"Journey's End" is in a private collection.

"Blue Harmony" ~ Bead Embroidered Cuff Bracelet

"Blue Harmony"

*click on photos for larger image

The above photo shows the beaded bracelet after all the top embroidery is completed, but before it is attached to the inner brass cuff blank.  It's easier to see the bracelet design when it is photographed flat like this first. Once the top beaded foundation is attached to the cuff, the rounded form is more difficult to photograph well, or to see in its entirety. 

Many of my bead embroidered bracelets start with an interesting gemstone cabochon - this one, "Blue Harmony," is no different.  The central jasper gemstone cabochon is a beautiful swirl of blue and earth-toned colors.  I chose to feature the blue and the brown colors, choosing to use a sapphire blue that is neither warm nor cool - a true blue - and a soft brown to play up the blue.  I did not want this blue bracelet to veer to the cool side (aqua blue), or the warm side (violet blue). 

Two swirly glass cabochons flank the focal gemstone and carry out the blue/brown colorway.  Light blue, half-domed pearls encircle the jasper stone in the middle and add a subtle elegance.  In addition to these, I've added glass seed beads, Czech crystals, AB glass cut crystals, earth-toned matte Picasso beads, and four light blue, Lucite, "hibiscus-shaped" flowers. Springing from the middle of the Lucite flowers are blue beaded stamens.  Lucite is a type of acrylic glass - these flowers have a charming frosted look to them.

The inside of the cuff bracelet is finished off with an UltraSuede fabric in a floral and lace pattern in soft blues and creams. 

Below are three photos of the finished bracelet.







 "Blue Harmony" showing side view.

"Blue Harmony" showing bottom of cuff, and inner designed UltraSuede, as well as the picot edging around the bracelet that finishes off the design in a delicate manner.

Top view of "Blue Harmony" bead embroidered cuff bracelet.



"Buried Treasure"

"Buried Treasure"

click on photos for larger image

For many years I've held a fascination for ammonites.  These fossilized shells with a spiral core are individually unique in size, shape, and overall appearance.  I chose 12 from my growing collection with the intention of making a bracelet, but clearly there were too many for wrapping around my wrist - and I was determined to use this particular group.  A necklace became the next best idea.

Photos are by my dear friend Sharlet Sizemore, 

of "Beads and More" in Kerrville, Texas. 

Many thanks to her for taking an accurate color photo.

A closer look below ...

Each of the individual ammonites were first bezeled on Midnight Black foundation (Nicole's BeadBacking) and completely finished (without the UltraSuede backing).  Once I had all 12 ammonites bezeled, I then sewed them onto Rich Brown  foundation (Nicole's BeadBacking).  After they were all positioned and held firmly on the foundation with stitches, I then beaded around the ammonites with various beads and gemstones.

Included in the mix were jasper and agate gemstone beads in sizes 10, 8, and 6 mm., some of which were faceted.  Also glass pearls, Swarovski cut crystals, Miyuki Picasso magatamas (delicate drop beads) and a variety of Japanese seed beads in several sizes including 6, 8, 11, and 15.

This was easily the most involved piece of bead embroidery I've ever attempted, but it was also the most enjoyable.  The bead embroidered section (minus the necklace) measures about 9" high by 7" wide.  The backing is a dark brown UltraSuede, and the necklace part is made with brown glass pearls separated by glass seed beads.  

For more information and to order the fabulous bead backing foundation (NBB) by Nicole Campanella, please visit her Web site:

http://www.beadwright.com/

Because her NBB so outshines the competition in the arena of foundation material, I was able to easily manipulate around these very high bezeled ammonites to work the intricate beading between them.  NBB will bend easily, and then magically return to the same perfect stiffness required throughout the entire beading project.  If you are a bead embroiderer and haven't tried it, please treat yourself to the best!

Now to continue my search for beautiful ammonites to make that bracelet . . . 

Photo above shows brown glass pearls necklace and gold findings.

click on photos for larger image

"Sea Breeze" ... bead embroidered cuff bracelet.

As in older posts, I've photographed the completed bead embroidered top part of the bracelet flat before attaching it to the brass cuff bracelet, for easier viewing.

Click on photos for a larger view.

Here is my first attempt at making a narrow bead embroidered cuff bracelet.  I call this one "Sea Breeze" for the pretty sea-green color of the aventurine cabochon stones. The center cab is somewhat rectangular, and the two on either side are very narrow and also rectangular.  Here's where I learned a lesson (and I learn something with each project, thankfully!) the smaller and narrower the cabochon, the less likely the final row of bezeling with size 15 beads will show up well.  I suppose there just isn't enough room for them to spread out nicely, and they have a tendency to bunch up - live and learn.  The remainder of the beads are gold-toned Japanese glass seed beads and bugle beads. In addition, I have added topaz gold Swarovski cut crystal beads, round and bi-cone, clear-green glass 4 mm. beads, plus 10 glass pearls in the beautiful sea-green color.

Aventurine is a form of quartz characterised by its translucency ~ this is the green aventurine.  The majority of green and blue-green aventurine originates in India.  I think it's a very soothing color, and I was surprised at how well it married with the gold additions.

This braclet was bead embroidered onto Nicole Campanella's NBB bead backing in the Leaf Green color.  For ordering information on this excellent embroidery backing material, please click on this link:

http://www.beadwright.com/

The color combination in this bracelet led me to use an UltraSuede pattern that incorporates the same sea green and gold colors with a charming "peacock feather" pattern.