"Fit for a Duchess"

"Fit for a Duchess" 

... is the the name I've given to my latest bead embroidered cuff bracelet.

The base is a gorgeous Shibori Silk Ribbon hand-dyed by Deborah Weaver, showcasing a glorious array of colors that range from soft aqua to greenish-turquoise, bright periwinkle blue to cobalt blue, and a rich ultramarine blue on into a deep purple.  A bit of lavender and hot pink round out the mix.  

Truly fit for royalty.

I pulled out all of my turquoise and purple beads, and had so much fun choosing colors for this riot of a cuff bracelet.  The only difficulty in working with Shibori Silk Ribbon is the reluctance to cover up any of the inherent beauty in the dyed silk.

The photo above shows the ends of the cuff bracelet with lavender flowers, as well as the beaded edge which is made up of iridescent Japanese glass seed beads.

Above photo shows just a peek at the inside of the cuff, which is covered with a deep purple Ultra Suede for softness against the skin.  Also on the inside is a line of the same iridescent Japanese glass seed beads to cover the edges and for continuity.  The main cabochons are Jasper with shades of turquoise and lavender. 

As always, I have used Nicole Campanella's NBB (Nicole's Bead Backing) as my foundation for this bracelet.  This is the only bead embroidery backing I will use, and it makes every project turn out beautifully.  

"Cleopatra's Prize"

Inpiration:  "The Colors of Egyptian Art"

Leafing through a catalogue recently, I came across an example of Egyptian art.  I cut this part out because I love the combination of colors and wanted to use them in a bead embroidered cuff bracelet project.

I've covered up a part of the writing in the lower left corner to make it less distracting - but the colors are black, terra cotta, turquoise/verdigris and a subtle, light gold color.

The above photo shows the beaded bracelet on the foundation before it was attached to the inner brass cuff.

It's always easier to see the whole design flat like this, instead of wrapped around the circular cuff.   

click on any image to enlarge

The turquoise that I chose for my bracelet is a much stronger color with a deeper intensity than what is shown in the example of Egyptian art above.  I was happy with the colors I chose, and the ones in the example were merely a jumping-off point.  Perhaps at a later date I'll use the same inspiration but choose a true light verdigris and incorporate the light gold, as well.

For now, I liked the stronger palette - and I always go with my first instincts.

The turquoise stones in this bracelet are dyed Jasper. These small disks were arranged flat with a size 15 terra cotta glass seed bead as a "stop" bead to hold them down.  They showed more of the Jasper placed this way, instead of lined up flat, side to flat side.

 I've decided there just isn't a "look" that Jasper can't fill in for - it's been my go-to gemstone for most of my projects.  The central oval cabochon is also Jasper, and this one has a rich terra cotta color that works so well with the turquoise.

The round stones with an orange glow are Carnelian.  This stone marries well with turquoise, as it is a very close complementary color (green-turquoise + red-orange).  In addition, I added in some faceted crystals with a turquoise and gold, and a number of turquoise-colored glass pearls in two sizes.  The rest are seed beads - all glass beads, in sizes ranging from 8 to 15.  The blacks are both the shiny opaque black (Czech size 12) and the matte black (Japanese size 8) for added interest.  Tiny light turquoise seed beads are intersperced in any areas where the round stones left a bit of a gap.

The edges of the cuff are finished off with a picot edging,
and the underside is a very soft teal-colored UltraSuede. 

As usual, my work is hand-sewn and embroidered on Nicole Campanella's NBB, the foundation that is perfect for this work.  There is a brass bracelet blank inside sandwiched between the top beaded part and the underside UltraSuede, which is in a rich teal color.

For more information on my preferred bead embroidery foundation called NBB, please click here:
http://beadwright.com/

Contact me if you are interested in sources for brass bracelet blanks or UltraSuede.

"Queen's Ransom"

"Queen's Ransom"

Bead Embroidered Pendant and Necklace

click on photo to enlarge

Lately I've seen some really spectacular pieces called DRUZY or druse.  

In geological usage, druse or druzy is a coating of fine crystals on a rock fracture surface, or within a geode.

Most of the ones I've seen are set with a silver-toned bezel ~ and when I saw this one in my favorite turquoise-green shade set in a gold-color bezel ... I wasted no time in acquiring it.  I just knew it would make a very special focal point in a bead embroidered pendant.

Detail below:

To set apart the druzy, I have surrounded it with gold faceted rondelles in a dark gold color.  

The row next to it is made up of turquoise colored glass faceted rondelles with a slight dappling of brownish-gold ~ almost unseen, but adding to the overall look that I wanted to achieve.

This Druzy bezel had two gold "attachments" on either side - probably to make it into a necklace or bracelet very easily.  

I covered and hid both attachments with an additional turquoise rondelle with three size 11 gold seed beads on top.

The bead embroidery is done on Leaf Green NBB by Nicole Campanella.  As always, her beading foundation made the project a total joy.  For more information on this fabulous foundation, please check out:

www.Beadwright.com

Several rows of size 11 seed beads encircled the bezel, and the final picot edge features tiny size 15 light turquoise glass beads that are transparent with a gold interior finish.  

The bale is made from a number of gold size 11 seed beads in the "square stitch" pattern, and also has picot edges with the size 15 transparent glass beads in the light turquoise color with gold inside. 

Jazzing up the necklace, I've made three pairs of peyote-stitched toggle bars with an assortment of the beads already featured in the pendant.  These are interspersed with gold spacer beads, finished off with a decorative gold floral cap, and finally adding a gold toggle and ring closure.

While many think of turquoise as best paired with silver, I think the combination of 

Turquoise and Gold is fit for a Queen's Ransom.

"Celebration" ~ Bead Embroidered Cuff Bracelet

"Celebration"

Many times my bead embroidery projects begin with a color choice.  Other times it's a special gemstone cabochon that I want to feature, and then I pick colors to enhance that particular piece.

With "Celebration" I turned to two printed artworks that I have saved for a few years because I loved the color combinations in both paintings.  One painting is by Thomas Cooper Gotch and it is called "The Child Enthroned." This artwork features a young girl wearing an elaborate robe and sitting on a throne with a halo behind her head. (Seen below on the bottom of the photo on the diagonal.)  The other painting is of a mother holding her sleeping infant.  This was a Christmas card, and unfortunately, I do not know the name of the artist or the title of the painting itself. [If you know, please tell me, as I'd love to know the name of the artist or the title of the painting!]

What these two paintings have in common is their similar "colorway."  Both paintings utilize the complementary colors of green and red - and in these two cases, the green leans towards turquoise, and the red leans toward orange.  The addition of a golden yellow and a creamy oyster color add to the harmony.

click on any photo to enlarge

Turquoise-green and red-orange (coral) are my two most favorite colors, so it's no surprise when I choose them for my bead embroidery.  As complementary colors, they sing in the presence of each other.  

The above photo shows the bead embroidered cuff bracelet flat on the beading foundation before it is attached to the brass cuff bracelet.  

Above photo and below photo show the finished cuff bracelet.

The central focal piece is a Jasper gemstone.  It is bezeled with turquoise colored cut crystals, topaz-gold colored cut Czech crystals, and 8 mm golden fossil beads. 

In addition, there are red glass faceted beads in a few sizes, Japanese glass Toho beads, four oval green glass cabochons, ivory luster fossil beads, two vintage green buttons, and four red-dyed Mother of Pearl buttons.

The inside of the cuff is green UltraSuede, and the outer edges of the cuff bracelet are finished off with a decorative picot edge.  

As in my other bead embroidery jewelry pieces, the backing I favor is by Nicole Campanella, and is called NBB.  Here, I used the Green Leaf color.  

For 13 additional colors of NBB, please check out her Web site at 

www.Beadwright.com

"A Moment In Time"

Pompeii, the Roman town buried under the fiery ashes from a volcano eruption of Mount Vesuvius in 79 AD is a story that will forever shock and fascinate us.  The terrified residents ran for their lives, but couldn't out-race the sudden and fatal combination of heat, smoke, ash, and burning debris raining down on them.  A few grabbed their most precious jewelry at the last moment.  It would be years later before some of these ancient pieces were unearthed and miraculously preserved.  The amazing fact is that due to certain atmospheric conditions occuring that day, much of Pompeii was captured for us to later recreate and see for ourselves . .   "A Moment In Time."

In my books on Pompeii, the colors from the ruins are my personal favorites : gold, amber, turquoise, red-orange, and copper.  These colors decorated the walls and homes of many citizens of Pompeii, mostly in painted frescoes or in colorful tiles.

Above: Photo from Pompeii wall that survived the volcano's eruption.

Click on any photo for a larger view

"A Moment In Time" is an off-loom beaded bracelet that I made using copper-colored glass Luster cube beads for the majority of the bracelet. These are sewn together using only thread - it is the peyote or gourd stitch that holds them together.  These beads have a very slight pink-orange tone to them and are highly reflective.  Working with them under any source of light was a bit of a challenge - as they almost blinded me, they were so shiny.  It was my first time to work with cube beads, as I generally use round beads. The cube beads lock together in a very satisfying way. 

The central focal part of the bracelet consists of a rectangular Red Creek Jasper pendant, a turquoise Magnesite oval cabochon, and a red-orange Carnelian faceted cabochon.  These three stones were embroidered by hand onto Nicole's BeadBacking in the Hawk Wing color.  After sewing down these cabs and bezeling them with cut-crystal bicones and tiny seed beads, I added amber-colored matte size 15 Delica seed beads around each stone to highlight them.

Although it's difficult to see clearly, I've attached a tiny copper bumble bee that was a gift from my daughter-in-law in the lower right corner of the Jasper gemstone - it is attached with a loop of seed beads so that it can move, as it is anatomically correct both on the front and back of the bee.

The very edge of the bracelet is finished off in a picot edge that features turquoise Hematite cube beads given to me by my dear friend, Linda.  The central picot beads are a Luster magatama or tear- drop bead.  Underneath the middle part of the bracelet, I have sewn a soft, burnt sienna-colored square of UltraSuede.

Although you cannot see it in the photo, the Luster beads that make up the majority of the bracelet are very flexible and drape almost the way fabric does - the movement of this bracelet is fluid as it encircles the wrist.  The closure is comprised of three decorated beaded toggles with three loops on the opposite side which blend in with the rest of the bracelet.

"Coming Attraction"

Going to see a special movie, 

I remember sitting in the darkened theater 

waiting for my eyes to adjust.   

Slowly, my eyes grew accostomed to the dim light, 

and then all the colors sang out.  

The movie screen showed the "Coming Attraction"  . . . 

The beginning of "Coming Attraction" started with the idea of using black beads sewn on a black foundation.  Black is wonderful for showcasing my favorite turquoise color.  But could my eyes adjust to sewing black beads with black thread onto a black foundation?    (Yes!)

I chose two oval magnesite cabochons with black and brown matrix (veining), 

and then added several shiny jet black cabochons, 

all of which I bezeled with seed beads.   

From there, I began a beading journey with texture in mind.  

Above photo shows the finished bead embroidered piece before 

it is attached to the brass blank cuff and made into a bracelet.  

Click on any photo for larger view.

Here are some of the various components in "Coming Attraction."

• magnesite
• dyed jade
• faceted crystal beads
• glass seed beads
• bugle beads
• vintage buttons (3)
• wool-covered button
• AB glass 8 mm beads
• black Lucite flowers
• turquoise and brown dyed Jasper
• crystal bi-cone beads in black and turquoise
• iridescent seed beads
• black sequins (3)

Around the edges of the cuff bracelet, I've sewn on 

size 11 shiny, opaque, black seed beads 

with an apex of three turquoise AB seed beads in the picot design.

I was delighted with the Midnight Black foundation 

by Nicole Campanella (NBB) ~ 

It was not difficult at all sewing black beads onto the black NBB.  

Discover NBB for yourself by visiting:

www.Beadwright.com

"Royalty" ~ Bead Embroidered Bracelet

"Royalty"

This bead embroidered bracelet is named "Royalty" for the beautiful purples, lavenders, turquoise, and silver colors.  The design is purposely asymmetrical and freeform, with sections that incorporate a myriad of beads in various colors, textures, sizes, and shapes.  The largest cabochon stone is a lovely jasper with swirling purples - bezeled with rows of peyote stitching.  The randomly arranged and organically-shaped stones are dyed Howlite in shades of purple and turquoise.  Interspersed are silver beads with a silver toggle that echoes the square divisions in the bracelet.  The underside of the bracelet features a soft, teal-colored UltraSuede for comfort on the wrist.

*Click on photo for larger image.

"Santa Fe Secrets" ~ Turquoise and Carnelian Bead-Embroidered Cuff Bracelet.

"Santa Fe Secrets"

Turquoise and Carnelian Bead-Embroidered Cuff Bracelet.

Above:  Photo 1 on the left, and Photo 2 on the right.

*Click photos once or twice for larger image.

Photo 3

In Photo 1 at the very top, where the bracelet appears "flat," is the almost-finished bracelet after the majority of the beading was done.  This step shown here is right before the beaded top is glued to the brass bracelet form (which is then encased so it doesn't show).  Photo 2 above shows the completed bracelet. Inside the cuff and against the brass is UltraSuede fabric - and the brass form is actually "sandwiched" between the beaded embroidered top and the UltraSuede fabric on the inside.  This keeps the bracelet from collapsing, and gives it a bit of added heft. It also makes a clasp or attachment unnecessary.

Then Photo 3 shows the bracelet finished as a cuff.  Because it fits around the wrist, it's much harder to see all the beaded embroidery handwork.  As soon as I finished this one, I was eager to start another.  That's the way it is with almost all of my projects.